So, when people ask me who my favorite director is, I don’t have one answer. I have seven of them. Why seven? Well, I have seven directors that I adore, so naturally, they are all worthy of my favoritism. Here they are (in alphabetical order):
- J.J. Abrams
- Kathryn Bigelow
- David Fincher
- Jason Reitman
- Martin Scorsese
- Steven Spielberg
- Quentin Tarantino
Everyone feels there is a certain movie that is the director’s ‘best movie’, which is true. But, I’m just going to talk about my favorite from each director. I’m not saying all their work isn’t amazing, it’s just my favorite, the one I can watch over and over again.
J.J. Abrams: Star Trek
Ok, so he’s a newbie. Some people really don’t like him. But, he has some great writing. I do love Super 8, don’t get me wrong. But it’s just how he was able to revive Star Trek, it was very respectable. Sure, there are still nerds out there who have cursed his name, but the movie is really good. Sleek, action-packed, yet not soulless like Michael Bay’s Transformer series. J.J. had some big shoes to fill, and I think he did it perfectly. For an action movie, this is great. And action movies are not my favorite.
Kathryn Bigelow: The Hurt Locker
First off, the was the first woman to win the Best Director Oscar, so that makes her a winner in my book. Second, this movie was… Well, I am at a loss for words. When I was watching it, there were times when my hands would be clammy, and I would start shaking. It’s the fact that a movie can do this to me is what intrigues me. The way Bigelow paired shaky sequences with no sound whatsoever is terrifying and thrilling. By the end, my heart was pounding from all the subtle adrenaline. Take that James Cameron! Your Avatar made me snooze. I am thrilled The Hurt Locker beat it.
David Fincher: The Social Network
David Fincher, master of darkness. The Social Network is a beautiful movie. I describe it as ‘eating a delicious dessert’, and get weird looks. But it’s true. I eat this movie by the spoonful. The cinematography and editing are flawless. But it’s the story that drives this movie. I’m a perfectly good, well-natured person, but I love those gritty movies about the downfall of characters (this probably explains why I love There Will Be Blood). So for a girl who always thought of myself as the villain in movies, this one is quite lovable.
Jason Reitman: Up in the Air
I didn’t expect to love this movie or even see myself watching it. I was about to sit down and watch Kill Bill when I saw this playing on HBO. The title sequence looked amazing, so I looked for a later time, then recorded it. My, this movie is a work of art. Anyone who appreciates good writing would love this movie. It has a similar feel to The Social Network in cinematography and editing, but it’s more of a feel-good, cozy movie. A must for any minimalist.
Martin Scorsese: Goodfellas
Arguably one of the best movies ever, Goodfellas tops all of Scorsese’s movies. After watching that opening sequence for the first time, I had a new respect for movies. We follow the rise and fall of Henry Hill in the organized mob, and it is a beautiful story told with the perfect amount of action, violence, and love. You practically feel apart of the Italian family, frozen with the dead bodies in the truck, and jittery while trying to flee from a helicopter. I’ve watched it over and over, yet Goodfellas continues to give me that nostalgic movie feel.
Steven Spielberg: Indiana Jones (Raiders/Last Crusade)
Alright, you can hardly choose a favorite Spielberg movie. He does so many genres and so many stories, you have to choose five. I could have chosen Jurassic Park, my first PG-13 and Spielberg film, or E.T., the heartwarming tale that makes all of us wither. But no, I have to go with Indiana Jones. I know, it’s not his masterpiece, but it’s the classic adventure movie. I really have no idea how many times I’ve watched this movie, yet I still enjoy it. Every single time. Nazis, chases, whips, Egypt… This is the classic adventure movie that will withstand the test of time, especially when tied up with an ageless John Williams soundtrack.
Quentin Tarantino: Inglourious Basterds
Reservoir Dogs changed action movies with its sharp dialogue, Pulp Fiction is unlike anything I have ever seen, and the Kill Bill series is the spoof to top all spoofs. So why Inglourious Basterds? Well, because it is the definition of masterpiece. The screenplay is perfection, riddled with beautiful dialogue and so packed that if you blink during a subtitle, you miss some amazing line. It’s dramatic yet witty without trying so hard. The music, while not original, fits everywhere. To top it all off, you have Christoph Waltz as the most terrifying happy-evil SS Nazi I have ever seen. Tarantino really knows how to make a movie epic and beautiful.